In 'Pause in the Metal,' you see a dialogue between the raw heaviness of the scrap and the lightness of color. The dots are deliberately not placed on the hard, dominant lines of the steel, but precisely in the small resting zones in between. They do not impose themselves, but breathe in the emptiness. This creates an asymmetrical route that leads your eye through the chaos — a new rhythm that tilts the twisted mass towards an ordered composition.
